35. Data Visualization for Human Perception
Data visualization is the graphical display of abstract information for two purposes: sense-making (also called data analysis) and communication. Important stories live in our data and data visualization is a powerful means to discover and understand these stories, and then to present them to others. The information is abstract in that it describes things that are not physical. Statistical information is abstract. Whether it concerns sales, incidences of disease, athletic performance, or anything else, even though it doesn't pertain to the physical world, we can still display it visually, but to do this we must find a way to give form to that which has none. This translation of the abstract into physical attributes of vision (length, position, size, shape, and color, to name a few) can only succeed if we understand a bit about visual perception and cognition. In other words, to visualize data effectively, we must follow design principles that are derived from an understanding of human perception.
As the saying goes, "a picture is worth a thousand words" - often more - but only when the story is best told graphically rather than verbally and the picture is well designed. You could stare at a table of numbers all day and never see what would be immediately obvious when looking at a good picture of those same numbers. Allow me to illustrate. Here's a simple table of sales data - a year's worth - divided into two regions:
Copyright status: Unknown (pending investigation). See section "Exceptions" in the copyright terms below.
This table does two things extremely well: it expresses these sales values precisely and it provides an efficient means to look up values for a particular region and month. But if we're looking for patterns, trends, or exceptions among these values, if we want a quick sense of the story contained in these numbers, or we need to compare whole sets of numbers rather than just two at a time, this table fails.
Now look at the following picture of the same information in the form of a line graph:
Copyright status: Unknown (pending investigation). See section "Exceptions" in the copyright terms below.
Several facts now leap into view:
- Domestic sales were considerably and consistently higher than international.
- Domestic sales trended upward over the year as a whole.
- International sales, in contrast, remained relatively flat, with one glaring exception: they decreased sharply in August.
- Domestic sales exhibited a cyclical pattern - up, up, down - that repeated itself on a quarterly basis, always reaching the peak in the last month of the quarter and then declining dramatically in the first month of the next.
What these numbers could not communicate when presented as text in a table, which our brains interpret through the use of verbal processing, becomes visible and understandable when communicated visually. This is the power of "data visualization."
Although data visualization usually features relationships between quantitative values, it can also display relationships that are not quantitative in nature. For instance, the connections between people on a social networking site such as Facebook or between suspected terrorists can be displayed using a node and link visualization. In the following example, people are the nodes, represented as circles, and their relationships are the links, represented as lines that connect them.
Visualizations that feature relationships between entities, such as the people in the example above, can be enriched with the addition of quantitative information as well. For example, the number of times that any two people have interacted could be represented by the thickness of the line that connects them.
35.1 Data Visualization in Historical Context
People have been arranging data into tables (columns and rows) at least since the 2nd century C.E., but the idea of representing quantitative information graphically didn't arise until the 17th century. For this innovation we have the French philosopher and mathematician Rene Descartes to thank. He developed a two-dimensional coordinate system for displaying values, consisting of a horizontal axis for one variable and a vertical axis for another, primarily as a graphical means of performing mathematical operations. It wasn't until the late 18th century that we began to exploit the potential of graphics for the communication of quantitative data, for which we have the Scotsman William Playfair to thank. Playfair pioneered many of the graphs that are commonly used today. He was the first person to use a line moving up and down as it progressed from left to right to show how values changed through time, as in the example below. He also invented the bar graph, and on one of his off days he invented the pie chart, which we have since found relatively ineffective, because it encodes values as visual attributes (primarily the area of each slice as well as the angle that it forms in the center of the pie) that we cannot easily perceive and compare.
Courtesy of William Playfair (1759-1823). Copyright: pd (Public Domain (information that is common property and contains no original authorship)).
The use of quantitative graphs gradually increased over the years, but their methods and effectiveness evolved little until the second half of the 20th century. Jacques Bertin laid the foundation for much of the progress that's been made during the last half a century with the publication in 1967 of the book Semiologie graphique (The Semiology of Graphics, Bertin 1967). His work was pivotal because he discovered that visual perception operated according to rules that could be followed to express information visually in ways that represented it intuitively, clearly, accurately, and efficiently.
The person who really introduced us to the power of data visualization as a means for exploring and making sense of quantitative data was the Princeton statistics professor John Tukey, who in 1977 gave form to a whole new statistical approach called exploratory data analysis.
In 1983, the person working in the field today whose name is recognized above all others, Edward Tufte, published his groundbreaking book The Visual Display of Quantitative Information. In it he pointed out that there were effective ways of displaying data visually and then there were the ways that most people were doing it, which didn't work very well. Also working to improve data visualization practices around this time was William Cleveland, who extended and refined data visualization techniques for statisticians.
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Soon thereafter, a new research specialty emerged in the academic world, which was coined "information visualization." In their 1999 book Readings in Information Visualization: Using Vision to Think, Stuart Card, Jock Mackinlay, and Ben Shneiderman collected the best academic work that had been done by that time into a single volume and made its discoveries accessible beyond the walls of academia (Card et al 1999).
Since the turn of the 21st century, data visualization has been popularized, too often in tragically ineffective ways as it has reached the masses through commercial software products. Gratefully, amongst the bevy of products that promote data visualization in ways that feature superficially appealing aesthetics above useful and effective data exploration, sense-making, and communication, there are a few serious contenders for our attention who are helping us fulfill its potential in practical and powerful ways.
Among those who have contributed to our understanding of data visualization, Colin Ware has done the most to base its practice on an understanding of human perception. Ware's two excellent books - Information Visualization: Perception for Design (Ware, 2004) and Visual Thinking for Design (Ware 2008) - compile, organize, and explain what we have learned from several scientific disciplines about visual thinking and cognition and apply that knowledge to data visualization.
35.2 Pictures for the Eyes and Mind
Data visualization is only successful to the degree that it encodes information in a manner that our eyes can discern and our brains can understand. Getting this right is much more a science than an art, which we can only achieve by studying human perception. The goal is to translate abstract information into visual representations that can be easily, efficiently, accurately, and meaningfully decoded. Consider a case when you need to help people understand the primary causes of death in America contained in the following table:
Copyright status: Unknown (pending investigation). See section "Exceptions" in the copyright terms below.
To achieve this goal, the display should achieve the following:
The traditional way to display this information graphically involves a pie chart, illustrated below.
How well does this pie chart satisfy our criteria for effectiveness? Let's consider each of the requirements.
Given the ways in which this pie chart has failed to match human perception, let's consider an alternative form of display. The following bar graph displays the same set of values, but in a way that can be more readily perceived.
Let's review the effectiveness of this bar graph using the same criteria as before.
The point of comparing the perceptual effectiveness of the pie chart and bar graph has not been to make a case against pie charts (although this case deserves to be made), but to illustrate how we should always judge a visualization's merits by the degree to which we can easily, efficiently, accurately, and meaningfully perceive the story that the information has to tell. To do this, we must understand the perceptual strengths and weakness of various graphical means for displaying particular stories. To do this, we must understand perception.
35.3 Data Visualization and Human Perception
Data visualization is effective because it shifts the balance between perception and cognition to take fuller advantage of the brain's abilities. Seeing (i.e visual perception) which is handled by the visual cortex located in the rear of the brain, is extremely fast and efficient. We see immediately, with little effort. Thinking (i.e. cognition), which is handled primarily by the cerebral cortex in the front of the brain, is much slower and less efficient. Traditional data sensemaking and presentation methods require conscious thinking for almost all of the work. Data visualization shifts the balance toward greater use of visual perception, taking advantage of our powerful eyes whenever possible.
One of the earliest contributions to the science of perception was made by the Gestalt School of Psychology. The original intent of this effort when it began in 1912 was to uncover how we perceive pattern, form, and organization in what we see. The founders observed that we organize what we see in particular ways in an effort to make sense of it. The result of the effort was a series of Gestalt principles of perception, which are still respected today as accurate descriptions of visual behavior. Here are a few of the principles that can inform our data visualization efforts:
Objects that are close together are perceived as a group.
Objects that share similar attributes (e.g., color or shape) are perceived as a group.
Objects that appear to have a boundary around them (e.g., formed by a line or area of common color) are perceived as a group.
Open structures are perceived as closed, complete, and regular whenever there is a way that they can be reasonably interpreted as such.
Objects that are aligned together or appear to be a continuation of one another are perceived as a group.
Objects that are connected (e.g., by a line) are perceived as a group.
New insights into visual perception and cognition are arising from work in various disciplines besides information visualization, such as human factors and human-computer interaction, but none are more ground-breaking than those arising from the cognitive sciences, especially cognitive psychology. Today, with new and improved technologies and methodologies for brain exploration, opportunities to improve the perceptual effectiveness of data visualization abound. Two areas of study in particular are especially useful:
One of the great strengths of data visualization is our ability to process visual information much more rapidly than verbal information. Preattentive visual processing is that part that automatically occurs in the brain prior to conscious awareness. It consists of several stages, each handled by specialized neurons that are tuned to detect particular attributes of the visual information contained in light that reflects off the surfaces of objects in the world, which is then stitched together into a picture in our mind's eye of that object. We can use these basic attributes, such as differences in length, size, hue, color intensity, angle, texture, shape, and so on, as the building blocks of data visualization. When we do so in an informed manner, we have the ability to transfer much of the work that is needed to decode the contents of a visual display, such as a graph, from the slower conscious, energy intensive parts of the brain to the faster parts of the brain that require less energy, which results in more efficient cognition.
Studies in attention and memory are revealing our surprisingly limited ability to hold multiple items simultaneously in awareness. This recognition leads us to augment attention and memory by relying on external forms of information storage. One of the most powerful ways to do this is to encode information visually, which allows more information to be chunked together into the limited slots available in working memory. Another method is to place several views of information in front of our eyes at one time, thus extending our ability to explore data multidimensional and from multiple perspectives to make comparisons and see connections to a degree that would be impossible if we had to consume these views one at a time, due to the limits of working memory. Good data visualization techniques and technologies, properly used, can extend our thinking into new realms of analytical sensemaking, and we are still only beginning to tap into this potential.
35.4 Future Directions
What's most needed in the field of data visualization, as in other fields, is not always what's most exciting or not even what's particularly innovative. Sometimes we simply need to make it easier to do those things that work. One example of this is the effort of a few software vendors to build data visualization best practices right into the tools, such as in the form of defaults, thereby making it easier and less time-consuming to do what works and harder and more costly to do what doesn't. Besides these simple, straightforward but often overlooked improvements, a few other areas offer the potential for enrichment, such as the following:
All of these are being pursued to some degree, but could be exploited more quickly if more researchers focused on solving real problems that we face in the world today.
35.5 Where to Learn More
Several universities have developed graduate programs that are dedicated to the study and advancement of data visualization. The University of Maryland, Stanford, the University of North Carolina, the University of California, Berkeley, and Georgia Tech are a few of the finest. Although several periodicals in the broader fields of computer graphics and human-computer interaction include articles about data visualization, only one academic journal features the field exclusively: Information Visualization Journal, published quarterly by Palgrave Macmillan. A few smaller publications focus on making data visualization practical and accessible to a broader audience, such as the Visual Business Intelligence Newsletter. Conferences dedicated to the field are also few. The oldest, IEEE's VisWeek, which includes the InfoVis and VAST (Visual Analytics Science and Technology) sub-conferences that are dedicated entirely to data visualization, remains the largest and perhaps best of the conferences, but significant work in the field also appears in other conferences of broader perspective, such as CHI (Computer-Human Interaction) and SIGGRAPH.
220.127.116.11 CHI - Human Factors in Computing Systems20112010200920082007200620052004200320022001200019991998199719961995199419931992199119901989198819871986198519831982
18.104.22.168 SIGGRAPH - International Conference on Computer Graphics and Interactive Techniques20022001200019991998199719961995199419931992199119901989198819871986198519841983198219811980197919781977197619751974
22.214.171.124 InfoVis - IEEE Symposium on Information Visualization2005200420032002200120001999199819971995
Refreshing exceptions, including Tableau Software and TIBCO Spotfire, both spin-offs of academic work, SAS JMP, which arose from a deep understanding of statistics, and a few other relatively small vendors, are gradually stealing the attention they deserve from the big software companies - especially business intelligence vendors - that dominate the market. Apart from product vendors, a few research laboratories and consultancies are also contributing to the development and application of the field, including Microsoft Research, Pacific Northwest National Laboratory, Flowing Media, Oculus Info, and Perceptual Edge.
Several good books have been written about data visualization. The following, in chronological order, are especially useful for surveying the field and as a source of basic instruction:
|Tufte, Edward R. (1983): The Visual Display of Quantitative Information. Cheshire, CT, Graphics Press|| |
All four of Tufte's books are exceptional, but his first is the best. It makes an inspiring case for graphical excellence.
|Cleveland, William S. (1994): The Elements of Graphing Data. Hobart Press|| |
Data visualization practices focused on the needs of statisticians.
|Harris, Robert L. (2000): Information Graphics: A Comprehensive Illustrated Reference. Oxford University Press, USA|| |
An encyclopedic reference for information graphics.
|Card, Stuart K., Mackinlay, Jock D. and Shneiderman, Ben (eds.) (1999): Readings in Information Visualization: Using Vision to Think. Academic Press|| |
An overview of the best academic research in the field as of the publication date.
|Few, Stephen (2004): Show Me the Numbers: Designing Tables and Graphs to Enlighten. Analytics Press|| |
An accessible, practical, and comprehensive guide to the design of tables and graphs for communication.
|Ware, Colin (2008): Visual Thinking: for Design. Morgan Kaufmann|| |
An eloquent introduction to visual perception and cognition as it relates to data visualization.
|Few, Stephen (2009): Now You See It: Simple Visualization Techniques for Quantitative Analysis. Analytics Press|| |
An accessible and practical guide to data visualization for analysis.
Many blogs and online discussion forums feature data visualization - some thoughtfully, based on expertise, and some with the shallowness that is often found on the Web. Here are a few of the best:
35.6 Commentary by Ronald A. Rensink
35.6.1 Four Futures and a History
Stephen Few provides a nice overview of the reasons why we should design data visualizations to be effective, and why it's important to understand human perception when doing so. In fact, he's done this so well that I can't add much to his arguments. But I can, however, push the basic message a bit further, out into the times before and after those he discusses. Out into areas that are not as well known, or not really developed, where new opportunities and new dangers may lie...
Perhaps the best place to begin is the beginning. Discussing the beginning of visualization is not without its problems, if only for the fact that there exist several different kinds of visualization - for example, data visualization, information visualization, and scientific visualization. But whatever adjective used, we generally find a history more extensive than commonly imagined. For example, although Descartes did contribute to the graphic display of quantitative data in the 17th century, graphs had already been used to represent things such as temperature and light intensity three centuries earlier. Indeed, as Manfredo Massironi discusses in his book (Massironi, 2002; p. 131), quantities such as displacement were graphed as a function of time as far back as the 11th century. But while these facts may be of interest in their own right, the more important point is that techniques in graphic representation have been developed over many centuries, and many of these techniques have been subsequently forgotten - perhaps fallen out of vogue, or never found wide use to begin with. But the reasons for their dismissal may not necessary apply in this day and age. Indeed, several techniques might lend themselves quite well to modern technology, and so might be worth resurrecting in one form or other. Books such as Massironi's are helpful in discovering such possibilities.
On to the future. Or more precisely, on to ways of further developing useful connections between visualization and psychology. To begin with, there is potential for considerably more integration between vision and visualization than currently exists; much more processing could be offloaded to the viewer's visual cortex. As Stephen Few mentions, one way of doing so is by making use of simple preattentive properties such as length, orientation, and hue. But recent work in vision science has shown that the preattentive level of vision contains far more visual intelligence than that. Among other things, preattentive processes can determine shadows, extract three-dimensional orientation, and link scattered elements of the image into unified groups. These abilities could be exploited in higher-powered visualizations. Another area of recent progress is our understanding of visual attention and scene perception. Our visual perception of the world seems to be based on a just-in-time architecture in which attention is directed to the right object at the right time. If the co-ordination mechanisms involved can be handled correctly, it would open up the prospect of "seeing" abstract datasets in a way that is as natural and effortless as seeing the physical world. (A brief overview of these developments and their implications can be found in Rensink, 2002.)
A related opportunity is the greater use of visual analogy (or metaphor). Here, the emphasis is no longer on bypassing conscious thought, but on using modes of thought best suited for reasoning about visuospatial objects and processes. For example, when reasoning about physical force, a highly useful metaphor is the directed line, or arrow. A more modern example is the desktop, which allows a user to reason about possible actions on their computer. As in the case of visual perception, many - if not most - developments to date have been based on a relatively shallow understanding of the mechanisms involved. But given that cognitive scientists have learned much more about metaphor, it may be time to consider its use in a more sophisticated fashion. Ultimately, visualizations might be able to create mental images that correspond in a natural way to the structure of any process or task. (For an interesting discussion of this, see Paley, 2009.)
A third direction of potential importance is the creation of more powerful evaluation methods based on the methodologies developed in experimental psychology. Psychologists have spent centuries learning what to do (and not to do) to obtain precise measurements of various aspects of human behaviour. It would be good to learn from this. Of course, some of these techniques have already been adapted to evaluation. But as in the case of cognitive and perceptual mechanisms, the transfer of knowledge here is far from complete, and there is much that could still be done. For example, consider evaluating how well a given scatterplot design conveys the correlation in a dataset. In the past, this was done by presenting the viewer with the scatterplot and asking for a numerical estimate of the (perceived) correlation. But a more powerful approach is to borrow the experimental methodology of measuring just noticeable differences (jnds): the viewer is presented with two side-by-side scatterplots, and asked to choose the more correlated one. Results based on this approach show both precision and accuracy to be specified over all correlations by two functions governed by only two parameters. As a consequence, a given scatterplot design can be completely evaluated based on just two simple measurements. (For details, see Rensink and Baldridge, 2010.)
A final direction to consider - perhaps the most challenging of all - is to develop a systematic way of ensuring that visualization designs make optimal (or at least, good) use of human perception and cognition. In theory, this could result in a "science of design". In practice, this might not be possible, if only because the number of possible designs is so immense and our understanding of human cognition so incomplete. But it may be possible to follow the example of several other areas of design, and aim for a set of principles that would at least constrain the space of possibilities to consider. For example, constraints based on physical forces or material properties can be applied to any architectural design, determining whether or not it is viable. There is no a priori reason why a similar approach would not also work for visualization. The efforts of Bertin are perhaps a start in this direction, providing suggestions about the kinds of graphic representation that might be applied to various kinds of problems. Work by Tufte, Mackinlay, Ware, and others have extended this further. But however useful these suggestions are, we are still a long way from a solid foundation for thinking about effective visualizations. Many foundational issues are still poorly understood. What is really going on in a visualization? Is there a way to describe this process precisely and objectively? Is it even possible in principle to determine if a given visualization draws upon the perceptual and cognitive resources of the viewer in an optimal way? The answers to these questions and others like them will be difficult to find. But they will determine the extent to which we can enable humans and machines to best combine their respective strengths.
35.7 Commentary by Naomi B. Robbins
Stephen Few wrote an excellent description of data visualization and the necessity for designing graphics to take advantage of our knowledge of human perception and cognition. In this commentary I question who is responsible for the myriad of visualizations that ignore this knowledge: the software vendors, the software users or others? In addition, I point out important work that deserves greater exposure on the integration of geo-spatial and other forms of data display, a topic on Few's most-needed list. I end with additional sources for learning more.
35.7.1 Responsibility for perceptual problems with many data visualizations
Few's article states:
Certainly, software vendors are responsible for offering many graph forms that hinder rather than help the reader to understand the data. The vendors offer graphs to wow the audience rather than to communicate clearly and they create demand for ineffective graphs. But they are not solely responsible for the myriads of graphs with perceptual problems.
People learn from what they see and they see many ineffective graphs. The software users then demand software that allows them to imitate these ineffective designs. This gets us in a chicken and egg situation: Do vendors produce these awful visualizations because their customers demand them, or do the customers become attracted to them when they see what vendors market?
An example of the ineffective ways includes pseudo-third dimensions in bar charts. Figure 1 shows a pseudo-three-dimensional bar chart in Excel. Almost no one reads it correctly. I describe other problems with this graph in Creating More Effective Graphs .
A number of graphic artists have made major contributions to the field of data visualization. However, there are some graphic artists who have no appreciation of numbers and don't realize that the representation of numbers in graphs should be proportional to the numbers they represent. As a result, it is common to see graphs that are not drawn to scale.
Some graph designers want to give the impression of better performance than is actually the case and intentionally design graphs that mislead to achieve this impression. Other graph designers may be more concerned with demonstrating their technological abilities or artistic abilities than in communicating clearly and accurately. Until recently, our educational system did not provide training in communicating numbers. Today, there are some excellent courses at the college level but the majority of people receive little, if any, training in presenting numerical information. Therefore, many graph designers are unaware of the principles of effective graphs. Some of the problems occur from a lack of proofreading and careless errors.
As an analogy, a current style in fashion is high-heeled shoes. A quick search on "dangers of high heels" revealed that there has been an increase in the number of bunion operations on wearers of high heels as well as foot pain, back pain and neck pain. In some cases the Achilles tendon grows shorter. Balance is affected so that the risk of falls is greater. The list of problems goes on and on. Is the shoe designer, the shoe manufacturer, the retail outlet that sells the shoes or the customer who buys them responsible for this increase in medical problems? Is this situation analogous to the data visualization one? Both cause serious problems: poor business decisions in one case and pain and suffering as well as unnecessary medical expenses in the other. I hope that these questions stimulate interesting discussion.
35.7.2 Integration of geo-spatial displays with other forms of display
In his section on future directions, Few mentions areas that offer the potential for enrichment including the integration of geo-spatial displays with other forms of display for seamless interaction and simultaneous use. Several researchers have made advances in this area. For example, the micromap designs of Dan Carr  and  add a geographic context to statistical information, allowing for the joint exploration of statistical and geographic patterns in data. As illustrated in Figure 2, statistical graphics, here dots, are linked to small maps by color. In the first row, we can see that Maryland is represented by red dots and so Maryland is shaded red on the right-hand map. Sorting by poverty level, we see that not only are poverty and education inversely related, but that there is a geographic clustering of southern U.S. states by these variables.
35.7.3 Where to Learn More
Data visualization does not belong to a single academic discipline. Statisticians, computer scientists, psychologists, graphic designers and others practice and contribute to data visualization. The university programs and resources that Few mentions lean heavily towards computer science. A few excellent programs joining statistical graphics with computer science are available at George Mason University, Iowa State, and the University of Augsburg. There are many others. I will leave it to other commentators to add excellent programs in cognitive psychology and graphic design. The Journal of Computational and Graphical Statistics, a joint publication of the American Statistical Association, the Institute of Mathematical Statistics and the Interface Foundation of North America is another academic journal on the topic. The Statistical Computing Statistical Graphics Newsletter (SCGN) is another informal publication. Although the Joint Statistical Meetings are not exclusively devoted to statistical graphics and data visualization, there are as many sessions sponsored by the Statistical Graphics Section as many a smaller conference contains.
One addition I would make to the "what's needed" list is better communication between the computer scientists, graphic designers, psychologists and statisticians. More joint conferences and attending each other's conferences would help each discipline benefit from the research of the others.
35.8 Commentary by Robert Kosara
35.8.1 Metaphors and Interaction
One important topic Stephen Few only mentions briefly in his very well-written and comprehensive piece is interaction. While static charts and visualizations are undoubtedly useful, they make little use of the immense computing power that is readily available to us today. Interaction in visualization enables the fast exploration and discovery of data patterns that the user may not even have expected. It is also possible to reduce the amount of data shown at the same time, providing clearer visualizations, while still giving the user the option to get that information on demand at any time.
Ben Shneiderman captured the role of interaction in his famous visual information seeking mantra (Shneiderman, 1996): overview first, zoom and filter, then details on demand. Abstract information spaces require an overview so the user has an idea where to even find data, but then it is necessary to zoom in to see details. Filtering data is important when dealing with larger datasets. Finally, details on what is shown (and also what is not shown) can be retrieved by the user as needed. All of these steps require interaction, where the user tells the visualization what he or she wants to see.
35.8.2 Simple Interactions
Among the simplest interactions are tooltips or other data displays that appear when the user points at a part of a visualization. Take the causes of death bar chart in Few’s article above: the numbers could be shown purely on demand, perhaps including not just percentage but total number. Also, a vertical line could be drawn from the end of the active bar to the scale at the top, to make it easier to see the bars in context.
This type of interaction is effortless and easy to discover: just move your mouse over the display and see if anything happens. Displaying numbers in charts is also rather common. But the real power comes from the more advanced interactions.
35.8.3 Linking and Brushing
Brushing lets the user selects data points that get highlighted in one or more views of the same data. When several views are involved, the fact that all of them highlight the same data points is commonly referred to as linking (and the views are called coordinated multiple views). Consider this example of linked bar charts of data about passengers on the Titanic. Each bar chart represents one data dimension (class, gender, age, and survived), and shows a histogram of how many people were in each of the categories.
To find out how many people survived in each category, we will select the relevant bar, which will brush those data points in all the views. We can now compare survival rates for different sexes, classes, etc. by looking at how much of their respective bars is highlighted.
The mechanism is very similar for individual data points rather than summary data like in this example. Brushing and linking make it possible to find out high-dimensional relationships in the data by trying out different possibilities.
35.8.4 Metaphors and Structure
Metaphors have a somewhat complicated history in visualization. There is not even a clear understanding what a metaphor even is: many people talk about visual metaphors when they mean different ways of depicting data, but others use them specifically for somewhat embellished visualizations (flowers growing to represent traffic in chat rooms, etc.).
What I want to add here is a combination of both, perhaps best summarized as structure: how do the relationships between elements in the visualization influence how people read the data? Caroline Ziemkiewicz and I have done work on this topic, and have found that the big-picture structure plays a bigger role than most people would assume.
When comparing different types of tree visualizations, we found that different studies had come to different conclusions as to which method works better based on which metaphor was used in the question: A being contained in B, or A being below B in the hierarchy. We did a study and found that there was, indeed, a compatibility effect between the linguistic metaphor used in the question and the visual metaphor of the visualization (Ziemkiewicz and Kosara, 2008).
We recently showed that there is an apparent effect of gravity between objects in a visualization that can distort the perception of distance (Ziemkiewicz and Kosara, 2010).
35.8.5 The Future
While we know a lot about how to create reasonable visualizations, there is still a lot we do not know or are not yet aware of. Even seemingly basic knowledge like how the layout of a visualization influences our reading of the data still needs more work to be understood and turned into useful recommendations and best practices.
Interaction is not exactly a new topic in visualization research, but is still rather rudimentary in many visualization and charting programs. To really unlock the power of visualization, these programs will need more advanced capabilities as well as ways to educate their users about their interactive features. Visualization has a lot more to offer than what most people are aware of today.