WEBVTT

00:00:07.920 --> 00:00:13.875
Why do we see color? Designers intuitively&nbsp;
know the answer to this question:

00:00:14.160 --> 00:00:21.731
It's to help us distinguish one thing from&nbsp;
another and even to understand the thing itself.

00:00:22.000 --> 00:00:30.533
And what I mean by that is if you're looking at&nbsp;
someone's face and they look very pale,

00:00:30.533 --> 00:00:38.813
maybe with a yellow cast or a blue cast, we might understand&nbsp;that that person is sick or something is wrong;

00:00:38.813 --> 00:00:45.000
or, we're looking at a series of tomatoes,

00:00:45.000 --> 00:00:52.900
each&nbsp;one more ripe than the next – we are clued in to when the tomato is ready to eat.

00:00:52.967 --> 00:00:57.734
Maybe we're&nbsp;looking at a subway map and we see that each line

00:00:57.760 --> 00:01:02.407
is a different color, helping us to understand

00:01:02.407 --> 00:01:06.948
which line we want to go on and where we want to go to.

00:01:06.948 --> 00:01:12.914
Along with shape, texture, movement, darkness&nbsp;and lightness,

00:01:12.914 --> 00:01:20.278
the more color that we could see, the more we could interpret about the&nbsp;world around us.

00:01:20.278 --> 00:01:28.101
By using color, designers are giving people a shorthand for how to use&nbsp;the products that they are designing.

00:01:28.198 --> 00:01:35.029
For example, if you are designing a pill bottle with pills&nbsp;inside,

00:01:35.029 --> 00:01:41.611
the color of the bottle and the color of the pills themselves can distinguish not only from&nbsp;other pills

00:01:41.611 --> 00:01:46.722
that someone might be taking but even different dosages between them.

00:01:46.722 --> 00:01:52.400
Things like a&nbsp;traffic light, which, sure we could memorize what

00:01:52.400 --> 00:01:59.127
the order of the traffic light is, but having *color&nbsp;on top of order* gives us

00:01:59.127 --> 00:02:04.492
an incredibly quick and easy mechanism

00:02:04.492 --> 00:02:08.883
for our brain to understand what&nbsp;to do next.

00:02:08.883 --> 00:02:12.305
Even things like sports uniforms –

00:02:12.305 --> 00:02:20.560
the reason that we have different colors for different&nbsp;
uniforms is that it gives fans that immediate clue

00:02:20.560 --> 00:02:28.391
as to what to do when someone runs down one side&nbsp;
of a field or another: do we cheer or do we boo?

00:02:28.560 --> 00:02:33.490
Just as important to the question of "Why do we&nbsp;see color?" is:

00:02:33.490 --> 00:02:39.407
Why do we not see all the colors that are in our vision at once?

00:02:39.407 --> 00:02:43.334
And I'm not&nbsp;talking about ultraviolet or infrared or colors

00:02:43.360 --> 00:02:47.112
outside of the ability of our color vision.

00:02:47.112 --> 00:02:52.846
I'm talking about when we look at, for example, a red house and

00:02:52.846 --> 00:02:56.754
one side is in shadow and one side&nbsp;is in light;

00:02:56.754 --> 00:03:01.992
we're not seeing that house as partly dark red and partly pink.

00:03:01.992 --> 00:03:07.242
We are just seeing it&nbsp;as a red house, and there's a very good reason for that.

00:03:07.242 --> 00:03:14.960
Just as I don't feel every sensation that is&nbsp;
happening to my body every minute, like my glasses

00:03:14.960 --> 00:03:21.190
on the bridge of my nose – I'm not thinking about&nbsp;that until I actually think about it.

00:03:21.190 --> 00:03:27.187
My feet on the floor, that sensation – I'm not aware of&nbsp;it until I bring my mind to it,

00:03:27.187 --> 00:03:31.939
and throughout my body, there are all kinds of sensations&nbsp;going on all at once;

00:03:31.939 --> 00:03:37.774
but it would be too much for the brain to be thinking about those things *all&nbsp;the time*

00:03:37.774 --> 00:03:44.168
on top of all the other sensations that we have, one of which is the light that is&nbsp;entering our eyes.

00:03:44.168 --> 00:03:51.000
So, if we were to register the millions of colors that are coming into our&nbsp;eyes all at once,

00:03:51.000 --> 00:03:56.257
our brain would just shut down; it would be too much; we wouldn't be able to&nbsp;make our way through the world,

00:03:56.257 --> 00:03:59.997
to make decisions, to move – all of these things.

00:03:59.997 --> 00:04:05.546
So, this becomes very&nbsp;important for designing because we have to decide

00:04:05.546 --> 00:04:10.993
what we want the *focus* of people's attention to&nbsp;be.

00:04:10.993 --> 00:04:16.677
If we go back to this idea that color gives us information to help interpret the world,

00:04:16.724 --> 00:04:21.000
then&nbsp;we have to think about: "How are we using color

00:04:21.040 --> 00:04:27.594
so that it is giving us the right information to&nbsp;give us the right interpretation?"

00:04:27.594 --> 00:04:34.801
So, too much color, too much sensation, and then what follows we&nbsp;call *perception* – what we're actually

00:04:34.801 --> 00:04:38.451
perceiving – can be confusing.

00:04:38.451 --> 00:04:42.747
Too little color might not give&nbsp;us enough information.

00:04:42.747 --> 00:04:47.111
We also take our clues about color

00:04:47.111 --> 00:04:51.204
from the *culture* where we live.

00:04:51.204 --> 00:04:55.669
So, for&nbsp;example, in the Western world,

00:04:55.669 --> 00:05:02.575
yellow is not a color that is particularly beloved, but in the&nbsp;Eastern world, it is.

00:05:02.615 --> 00:05:10.160
So, the messaging that comes with the colors that you choose&nbsp;depend on *who* is receiving that color.

00:05:10.160 --> 00:05:17.040
We also have very personal associations with color&nbsp;
which make it hard for designers because we don't&nbsp;&nbsp;

00:05:17.040 --> 00:05:23.332
know – unless we're designing for one person – what&nbsp;
each person's reaction to a color is going to be.

00:05:23.440 --> 00:05:31.223
And lastly, we have these *biological reactions* to&nbsp;
color, which at this point we know very, very little&nbsp;about.

00:05:31.223 --> 00:05:36.998
So, when you go on the internet and you read,&nbsp;for example, that peach makes you hungry, the color peach,

00:05:36.998 --> 00:05:43.085
well, we don't know that at all – that's just a&nbsp;bunch of internet fake news.

00:05:43.085 --> 00:05:48.000
But we do know certain things about blue light, for example,

00:05:48.000 --> 00:05:54.258
or about the&nbsp;color red, and there are associations – biological –

00:05:54.400 --> 00:06:00.379
rooted in our biology in these colors that&nbsp;
have an effect on us.

00:06:00.379 --> 00:06:04.910
But taken together with the cultural and the personal,

00:06:04.910 --> 00:06:09.760
there's lots and&nbsp;lots of clues that are being given to a person,

00:06:09.760 --> 00:06:16.168
and these have to be accounted for in the design&nbsp;
process – maybe not the personal part,

00:06:16.168 --> 00:06:21.888
but certainly the biological – the little that we know – and the&nbsp;cultural piece of it.

00:06:21.888 --> 00:06:28.290
So, to sum this up, why do we see color? We see color to help give us information

00:06:28.290 --> 00:06:32.017
so that we can make our way through the world

00:06:32.017 --> 00:06:37.466
without harming ourselves and hopefully with&nbsp;helping ourselves.

00:06:37.466 --> 00:06:42.882
And color is this extraordinary tool, and it's one with a very fine point.

00:06:42.882 --> 00:06:49.407
It's&nbsp;one that was developed late in the development of the human brain.

00:06:49.407 --> 00:06:54.330
It is not essential to our&nbsp;being alive;

00:06:54.330 --> 00:06:57.440
take color-blind people, for example,

00:06:57.440 --> 00:07:08.533
but it's one that gives us the opportunity to be&nbsp;
able to navigate quickly, easily and often with joy.

