WEBVTT 00:00:05.046 --> 00:00:07.215 It's important to respect that space, right? 00:00:07.215 --> 00:00:10.802 So that that means that you want to make sure 00:00:10.802 --> 00:00:14.723 that you're not wasting someone's not time, but space. 00:00:14.806 --> 00:00:18.101 You know, it's all about holding attention and memory. 00:00:18.309 --> 00:00:21.104 When you use space, like think of it like a web page 00:00:21.104 --> 00:00:24.691 or a mobile device where you're focusing the user's attention. 00:00:24.774 --> 00:00:28.445 The thing is, like just because you have this 360 canvas 00:00:28.445 --> 00:00:30.613 doesn't mean you have to use it all. 00:00:30.655 --> 00:00:31.573 Think of. 00:00:31.573 --> 00:00:35.618 Think of your 3D space as an affordance canvas. 00:00:35.702 --> 00:00:36.828 What do I mean by that? 00:00:36.828 --> 00:00:38.747 I mean that. Here's a canvas. 00:00:38.747 --> 00:00:42.167 Here's a place where you can build UI 00:00:42.167 --> 00:00:45.462 the user can interact with in space that are affordances. 00:00:45.462 --> 00:00:49.132 So they're, you know, like in in a on a mobile device that might be a button, 00:00:49.215 --> 00:00:50.175 might be a pulldown, 00:00:50.175 --> 00:00:54.262 it might be a menu or might be an object that they tap or swipe or click. 00:00:54.679 --> 00:00:58.308 That's the affordances canvas on mobile and in 3D space. 00:00:58.308 --> 00:01:02.312 It might just be a literal virtual object that they can pick up, they can rotate, 00:01:02.312 --> 00:01:03.229 they can move around. 00:01:03.229 --> 00:01:05.899 The ability to do those things and to know how to interact 00:01:05.899 --> 00:01:07.817 with those things is what I mean by the affordances. 00:01:07.817 --> 00:01:09.944 It's the affords interaction. 00:01:09.944 --> 00:01:13.782 You have the responsibilities of a designer to make that interactive 00:01:13.782 --> 00:01:14.991 and make an intuitive. 00:01:14.991 --> 00:01:19.579 What do I mean by less is is better. 00:01:19.662 --> 00:01:24.167 There's a study done of the stories in 3D 00:01:24.167 --> 00:01:27.837 and they use a 90 degree 00:01:27.921 --> 00:01:31.883 vision or a 180 degree field of view or 360. 00:01:31.883 --> 00:01:33.885 So you could look all the way around. 00:01:33.885 --> 00:01:34.302 You could just 00:01:34.302 --> 00:01:38.473 look, you know, sort of left or right or only in this pie in the middle. 00:01:38.556 --> 00:01:41.935 Guess which one of those three styles led 00:01:41.935 --> 00:01:45.897 to the most recall of the events in the story? 00:01:45.980 --> 00:01:48.775 If you answered the first one, you're right. 00:01:48.775 --> 00:01:55.323 90% range of vision could be recalled by audiences nearly 00:01:55.365 --> 00:01:57.992 every event in the story. 00:01:57.992 --> 00:02:00.870 So maybe it has something to do with overwhelm, 00:02:00.870 --> 00:02:02.914 or maybe it has something to do. 00:02:02.914 --> 00:02:08.419 The fact that we're kind of trained not to look, not to spin our necks around. 00:02:08.503 --> 00:02:11.965 Also, if you look at stages when we've been consuming theater 00:02:11.965 --> 00:02:16.302 for the last few thousand years and that's on a stage, the action, 00:02:16.302 --> 00:02:17.762 if you look at if you watch this, 00:02:17.762 --> 00:02:21.975 the action will occur in around a 90 degree hour range. 00:02:21.975 --> 00:02:26.688 We stay focused as we interact with narratives or with stories 00:02:26.688 --> 00:02:30.942 or environments and probably helps us, you know, avoid overwhelm, 00:02:30.942 --> 00:02:32.569 probably helps us stay focused. 00:02:32.569 --> 00:02:36.239 There's a lot of movement going on, actually, so maybe it helps us just, 00:02:36.322 --> 00:02:38.658 you know, take information better. 00:02:38.658 --> 00:02:44.122 That's good news for us as designers in 3D because it means we don't have to worry 00:02:44.122 --> 00:02:47.333 as much about making, you know, designing 00:02:47.333 --> 00:02:50.753 objects and UIs for the whole 360 area.