WEBVTT

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I'd like now to distinguish two words, which sometimes you'll probably hear me use

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interchangeably, but actually have a subtle difference: sensation and perception.

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In one sense, there's the things that we really
hear, and shall we say, the immediate senses.

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This is what in psychology is called sensation.

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So with your eye, the photons actually come
into the back of your eye,

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hitting your retina and the nerve cells, noticing those and creating a signal.

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When you hear, little hairs in your ear are
getting wiggled by the sound

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and then passing that into your brain.

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So that is the raw sensation.

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That's the absolute raw sense of what's there.

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However, our brains do lots of work with that.

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They process what are those raw sensations

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in order to give that sense of that feeling of actually what's there.

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There's a couple of examples of this you can think of. So, for instance, if you...

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Looking at your room, just glance at the room
you're in, you'll have a sense that you can

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see it all, but actually your eyes dance around
and builds it up slowly.

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So that raw sensation at any one moment is
probably that

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everything in the periphery is fuzzy.

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But you don't see that. What you believe you see is something that's sharp everywhere.

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Because if you ever need to know about a bit of the room your eye will glance to it

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and it will become sharp at that moment. So your

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perception of the room and your visual
perception is that it's large,

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it's everywhere, and you can see it all.

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Your actual sensation is much, much tighter
than you can see clearly.

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Because these differ and because they are
about the meaning of the world...

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We are *meaning-giving creatures*; we're trying to find meaning and sense in this world.

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You can sometimes use this creatively to create
effects, but you could also sometimes get,

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shall we say mistaken effects because of this.

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And optical illusions use this very much in
order to fool your eyes because your eyes

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are trying to create sense of the world and
you can sometimes fool them.

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So here's two optical illusions, both of which
are based on linear perspective.

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There's the Ponzo one. So if you look at that picture, it's a ladder with two blocks,

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and it will look as if the block at the top is bigger than the block at the bottom.

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The reason for that is your meaning bit of
your brain is saying,

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"It's doing, the ladder's doing this," so it's probably sloping away from you.

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If it's sloping away from you, then something
that takes the same amount of visual space

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further away must be bigger.

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On the right is the Müller-Lyer illusion.

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So the Müller-Lyer illusion is two lat[eral]
lines and then two arrowheads

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and one has got arrowheads going in and one's got arrowheads going out.

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And if you look at it, you probably will see
the one with the arrowheads going out

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as being a longer line than the one at the bottom.

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In fact, they're absolutely the same size
and the same length.

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However, your eye sees the one at the top
longer because it looks a bit like the back

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edge of a box – so, again, in terms of perspective, if the line's going...

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It's like looking at the back of the box whereas the ones at the front is

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more like if you're seeing the front end of the box.

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And of course, again, your eye is saying that
probably means the one on top is further away.

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Although it takes the same amount of distance on the back of your eye,

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that probably means it's actually larger.

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Now all that's happened, when I say "probably",
you're not reasoning this out.

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This is all happening tacitly, unconsciously. You've got no idea it's going on.

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And it's very hard, even though you know those
two are the same length

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to actually be able to see that.

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Now, it was thought for a long time that a
lot of us... and some of these illusions really

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are very basic; they're built into our – shall
we say – our most primitive base being,

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the things that we've had for, you know, 10-20 thousand years,

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probably longer as part of the way we see the world.

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And it was thought in particular the
Müller-Lyer illusion was one of these.

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Something that's very, very basic.

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I know I found problems with this for many
years because linear perspective,

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it's actually hard to think, shall we say, what in the wild corresponds to linear perspective.

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And sure enough actually, what's been realized
relatively recently

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is that most subjects of psychological experiments are what's been called WEIRD.

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By "WEIRD", it's White,

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Educated, Industrialized, Rich and Democratic.

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So basically, think of US psychology students
as subjects of most psychology experiments

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– or British ones for that matter.

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So you actually end up with a very select
set of people

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for which we believe everything is true of. And of course, actually that turns out not to be true.

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Crucially, an awful lot of things which appear
to be very fundamental psychological effects

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turn out to be *cultural*.

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And crucially, this thing about the Müller-Lyer illusion is one of the ones that is not the same.

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So if you have a... there is a relatively small number of experiments where this is the case,

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but there are some experiments that have been done with people who have been brought up in

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the middle of forest jungle environments, but

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without built straight lines, concrete and
brick structures.

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And when that's the case, the Müller-Lyer
illusion doesn't work.

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They see the two lines as the same length.

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This is a learned effect that's happened
from childhood, where

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because you live in a built environment, you end up with particular illusions.

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So these are partly about sensory perception,
but perception is based partly on

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– shall we say – built-in parts of your brain.

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But also the culture in which you live changes
the relationship between

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raw sensation and perception.

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So, you know, optical illusions can fool you.

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However, actually, if you think about it...

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So there's the kind of optical illusion like
Müller-Lyer, but also you've probably seen

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those trick photographs where you think something's bigger than it is

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or you see something and it says, what's this? And you've got no idea.

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And then there's some small tweak and it's
zoomed out and "aha, of course".

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Now the interesting things about those is partly it's a perception thing that your eye can get fooled.

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But they're often deliberately chosen at a very
unusual eye position.

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So you may take a photograph of something
so that certain things line up,

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that then make it confusingly look like something else.

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And you only have to perhaps move your head
a little bit.

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You know, if it was a real thing that you
were looking at, you would move it,

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you would move your head. 
And suddenly it would all make sense.

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Our perception systems are designed for the
real world.

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They're not designed for static images on
screens.

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We've learned to deal with them – I said culture
comes in here.

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So our brain is trying to make sense of this
all the time.

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And that can sometimes mean you can get these
optical illusions that can be confusing.

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But also that can work to our advantage because
we're trying to make sense.

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So this is something you can think about in
design, both things that can go wrong,

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but also things that can go right.

