Jim Rosenberg
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Publications by Jim Rosenberg (bibliography)
» 2002 «
Rosenberg, Jim, Bernstein, Mark, Marshall, Catherine C., Bra, Paul De, Millard, David E. and Shipman III, Frank M. (2002): Chain saws for sculptural Hypertext. In: Hypertext'02 - Proceedings of the Thirteenth ACM Conference on Hypertext and Hypermedia June 11-15, 2002, College Park, Maryland, USA. p. 137. Available online
The term "Sculptural Hypertext", coined by Mark Bernstein in his Hypertext '01 paper "Card Shark and Thespis," refers to a style of writing hypertext where the document author starts with a massively connected structure, and the task of authoring links consists of cutting away those links that are not wanted, much as someone sculpting in stone in the traditional way starts with a block of stone and forms an image by cutting away the "excess" material. The opposing term, "Calligraphic Hypertext," refers to the more familiar method of finely authoring each link. This panel seeks to address questions pertaining to authorship and tools for the sculptural approach to hypertext. Among the questions we want to address are: How does one write a sculptural hypertext? How does this concept scale -- or is it only suited to small works? What differences are there for the reader of a sculptural hypertext vs. a calligraphic hypertext? How does the "subtractive" concept work with other models of hypertext than the node-link model, e.g. spatial hypertext? What are the differences in requirements for tool designers of sculptural vs. calligraphic hypertext systems.
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Moulthrop, Stuart, Slattery, Diana, Rosenberg, Jim, Bernstein, Mark and Montfort, Nick (2002): Hypermedia and multimedia. In: Hypertext'02 - Proceedings of the Thirteenth ACM Conference on Hypertext and Hypermedia June 11-15, 2002, College Park, Maryland, USA. p. 196. Available online
Though Nelson gave us "hypermedia" practically in the same breath as "hypertext," initial literary explorations of hypermedia stuck fairly closely to verbal models. Over the last five years this bias has begun notably to decay. As poets, graphic, and narrative artists become more familiar with powerful end-user tools like Macromedia Flash, and as these tools evolve more sophisticated scripting support, the old line between multi-dimensional hypertext and more linear multimedia has considerably blurred. This process raises important questions both for artists and for hypertext theorists. What is the place of verbal forms in a context of dynamic images? How can the spatial agenda of hypertext navigation be reconciled with animation, simulation, and other primarily temporal techniques? What can creators of hypertext systems learn from aesthetic encounters between word and image.
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» 2001 «
Rosenberg, Jim (2001): And And: conjunctive hypertext and the structure acteme juncture. In: Hypertext'01 - Proceedings of the Twelfth ACM Conference on Hypertext and Hypermedia August 14-18, 2001, Aarhus, Denmark. pp. 51-60. Available online
In conjunctive hypertext, activities are combined into a whole as opposed to being alternatives. A single localized construct may contain several actemes. Their relationship may be ambiguous, they may be peers, may have space relationships or time relationships. The conjunction must be actualized, by such devices as co-presentation, delegated presentation, peer traverse, and subscreening. An incomplete conjunction contains pending structure which must be indicated. Actemes may have generalized boolean relationships. Larger-scale conjunctivity is related to narration issues, gathering, and other issues related to secondary structure.
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» 1998 «
Rosenberg, Jim (1998): Locus Looks at the Turing Play: Hypertextuality vs. Full Programmability. In: Hypertext 98 - Proceedings of the Ninth ACM Conference on Hypertext and Hypermedia June 20-24, 1998, Pittsburgh, PA, USA. pp. 152-160. Available online
Hypertext extensibility is briefly reviewed: strategies have included external execution, published internal primitives, scripted articulation points, generalized object inheritance, and guest algorithms. Hypertext algorithms are typically localized. The user/algorithm relationship in hypertext is typically master/slave; other types of relationship are possible in generalized cybertext. Hypertext algorithms normally have a clear identity; for generalized cybertext, identity of the algorithm may need to be hidden. The algorithm might only be revealed by sampling activities; these activities might or might not be structured. Identity of the programmer needs to be considered as much as that of reader or writer. Hypertext is typically structurally focused; generalized algorithms exhibit behavior, and a behavioral rather than a structural focus may be important in certain types of cybertext. Hypertextuality is not "all or nothing"; there are dimensionalities to hypertextuality, only some of which may be present. The extensibility architecture should be flexible enough to allow for all of these dimensionalities.
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Greco, Diane, Eskelinen, Markku, Funkhouser, Chis, Luesebrink, Marjorie C. and Rosenberg, Jim (1998): Actual & Potential Hypertext & Hypermedia: 5 Realizations. In: Hypertext 98 - Proceedings of the Ninth ACM Conference on Hypertext and Hypermedia June 20-24, 1998, Pittsburgh, PA, USA. p. 307. Available online
It is by now a commonplace that the advent of hypertext and hypermedia has changed, and will continue to change, received notions of what it means to organize and consume information. However, much of the promise of these new media is in fact limited by the availability of sufficiently flexible and sophisticated authoring tools. This disconnect between designers and users often leads to the disappointing situation in which work-arounds designed to refine the functionality of an existing hypertext/hypermedia system themselves compromise the integrity of the writer's or artist's original vision. To motivate a deeper and fuller discussion between developers and writers, the panelists will discuss their experiences trying to "write around" various software constraints and will demonstrate their solutions and/or ideas for solutions, either in systems or interface design.
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» 1996 «
Rosenberg, Jim (1996): The Structure of Hypertext Activity. In: Hypertext 96 - Proceedings of the Seventh ACM Conference on Hypertext March 16-20, 1996, Washington, DC. pp. 22-30. Available online
A framework for discussion of hypertext activity is introduced using the concepts acteme, episode, and session. Acteme is a low-level unit such as link-following; episode is a collection of actemes that cohere in the reader's mind; session is the entirety of contiguous activity. Well known issues in hypertext rhetoric are recast in this framework and generalized to all varieties of acteme. We consider whether the episode is a virtual document, user interface issues pertaining to the episode, multi-episode structure, concurrency issues, and reader-as-writer activity, with a frequent emphasis on hypertext gathering.
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Mar 17th, 2010
Changes to this page (author)
15 Feb 2010: Enabled abstracts to be shown on Jim Rosenberg's author page.28 Apr 2003: Added the author to the bibliography